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In the six hundreds the collections were vastly expanded: the so-called
inheritance of d’Urbino, was then named Vittoria della Rovere, the completion of
the second and third floor ceilings in the corridors; the creation of the
porcelain room and then that of the self-portraits hall. After that they began
to build the halls for the design collections of cardinale Leopoldo, first
actual impressions and design studio centre and still today one of the galleries
with the largest collections worldwide.
Furthermore the Gallery would increase its handmade art works in hard stone and
archaeological pieces.
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Versione Italiana
